Compositions


Works are available from

Edition Modern, Tre Media, Karlsruhe [ www.tremediamusicedition.de ]
SME, Schweizer Musikedition [ www. musicedition.ch ]



2004
« von widerständen II: drift » for accordeon solo
(UA: Mario Porreca)

2004
« Quasar 04 » composition with teenager, for orchester and band (10 Min.) Staatsoper Hannover Jugendkonzerte

2003
« Prelude and Echo » for Quartet Noir (sax, drum, bass, piano),
concept composition after 5 poems by Anne Blonstein (12 Min.)
(UA: Quartet Noir, commissioned by Lucerne Festival)

2003
« von Widerständen I » 6 Miniaturen for trombone- horn - sax (soprano) - accordeon - percussion - piano/EBow (9 Min.)
(UA: Oggimusica, commissioned by Tonkünstlerverein CH)

2002
« WAX » electronic soundscapes for theater, in collaboration with
Katharina Rosenberger.

2002
« Der Tunnel » a train biography, after Friedrich Dürenmattfor piano, cello, oboe and soprano and with CD (installation) (22 min.)
(première okt. 2003, ensemble aequatuor) (commission).

2002
« diaphonie II » Journal notes for solo double bass (commission).

2001/02
« 4S » for vocal quartet (text Anne Blonstein)
(première June 2002, MELA Quartett, Gare du Nord, Basel) (commission) (20 min.)

2000/01
« différance I-V » four-part commission for large orchestra.
Composer in Residence basel sinfonietta 2000/1
(première Reeinbert de Leeuw, Jürg Wyttenbach and others)
(35 min.)

1997–01
« NIGHTSELVES oder MEINE NACHT SCHLÄFT NICHT » after a painting and
texts by Sonja Sekula for large orchestra without violins.
(première Nov. 2001, Basler Symphonieorchester,
conductor Mario Venzago) (25 min.)

1999/00
« sacht ä: Klangheimlich » for prepared piano, cello, and bass clarinet after a text by Uwe Johnson (commission). (16 min.)

1999-02
« sacht ä: cieletterra » arrangement for prepared piano, double bass,
and percussion (CD).
« sacht ä: e-vent » arrangement for violoncello, oboe, and bass clarinet.
« sacht ä: aequatuor » arrangement for prepared piano, cello, and oboe.
« sacht ä: ensemble » arrangement for piano, bass clarinet, oboe, and violin.

1999/2000
3 Songs:
« A-a » for voice and percussion.
« Orpheus » after Ingeborg Bachmann, solo voice (and open piano).
« Enigma » after Ingeborg Bachmann, solo voice (ad lib piano/percussion)
(10-15 min. each)

1999
« Na? » for horn and seven other wind-instruments (commission).

1999
« ENIGMA » for ensemble, voice, and live electronic, in colaboration with Volker Böhm and the Basel Music Academy's Electronic Studio.
After a poem by Ingeborg Bachmann.
Commission for the festival of live-electronic Basel (13:23 min.)
"Enigma" also for Voice, piano (or/and percussion).

1195/99
« Cordes-Ouvertes II», for violin with electronic manipulations

1998/99
« Canthus to Canthus » after 18 text fragments by Anne Blonstein
for (4) variable instruments, voice and tape. Commission Thun 99.

1997/98
« 4instruments2 » for dance, double bass (or cello), thunder sheet and tape.
(17 min)

1996/97
« RéSONANCE?! » for bass clarinet, horn (/alphorn), cello (if possible amplified)
and electronics (after texts by Hannah Arendt) (21 min).

1995/96
« Cordes-Ouvertes » for violin with electronic manipulations.

1993/94
« Almah » for string quartet and “wandering” horn
for the Corbusier pilgrimage chapel “Notre Dame du Haut”, Ronchamp (F); request from and in collaboration with ETH Zürich (16 min).

1993
« Irritation I » for piano and four hands (10 min).

1992/93
« LaUtDeMiLa » for solo viola (8 min).

1992
« Vagabundinnen » after a text by Christina Thürmer-Rohr
for ensemble. (1998 version for Orchestra)

1991
« Abscheu vor dem Paradies » for soprano, alto, and viola
Texts by Karoline von Günderrode and Christina Thürmer-Rohr

1989/90
« TRITON I–VI » for solo piano (10 min).



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